Phonographic Copyright (p) – Finders Keepers Records
Copyright (c) – Finders Keepers Records
Licensed From – Triple Silence Ltd.
Pressed By – MPO
Bass – Bernard Guérin (tracks: A5, B3, B9), Jean Vazon (tracks: A2, A6, A9, B4, B7, B10)
Double Bass [Acoustic] – Jean-François Jenny-Clark* (tracks: A5, B3, B9)
Drums – Daniel Buffet aka Oncle Sam (tracks: A2, A6, A9, B4, B7, B10), Eddy Gaumont (tracks: A5, B3, B9)
Guitar [Electric Twelve String Rhythm Guitar], Flute – Francis Bendichou (tracks: A2, A6, A9, B4, B7, B10)
Lacquer Cut By – LvC
Lead Guitar, Organ – Gérard Sallette (tracks: A2, A6, A9, B4, B7, B10)
Liner Notes – Andy Votel, Daniel Bird, Jeremy Richey
Piano, Percussion [Treated] – François Tusques (tracks: A5, B3, B9)
Producer [Produced For Finders Keepers By] – Andy Votel, Doug Shipton
Tenor Saxophone – Barney Wilen (tracks: A5, B3, B9)
Vocals – Guy Ouly (tracks: A2, A6, A9, B4, B7, B10), Nicole Romain (tracks: A1)
Written-By, Arranged By – Pierre Raph (tracks: A3, A4, A8, B1, B2, B6), Yvon Gerault (tracks: A1, A7, B5, B8)
Contains 12×12″ liner notes card
Notes on back cover:
“Rising out of the smokey Parisian Mai 68 shrapnel and claiming his stake as the first French vampire movie director, the inimitable father of European Horrortica, Jean Rollin (1938-2010) has smudged the painted face of surrealist cinema for over five decades. Dragging his roots from beneath the Letterist/Situationist movements, avant-garde theatre and Belgian fine art groups and entwining them around the minds of sexual revolutionaries, the European comic book cognoscenti and the Parisian free jazz and rock scenes, Rollin stopped at nothing to bring his macabre phantasies of zygotic vampyrism and backwoods blood cults to Gallic cinematheques and beyond.
Celebrating the immortal legacy of the late director Finders Keepers Records compile a detailed and comprehensive music cabinet of some of the finest musical moments from his initial directorial decade between 1968-1979, which provided a m much needed platform for the freak rock and free jazz that mirrored the distorted erotic visions in his own mind’s eye. Imagine Gong-gone-wrong meeting the Art Ensembles Of Châteauroux… Fantasy pop groups mutate and thrive within…”
Films per track:
Viol du vampire [1968]: A1 & B8
Le frisson des vampires [1971]: A2, A6, A9, B4, B7 & B10
Jeunes filles impudiques aka Schoolgirl Hitchhikers [1973]: A3, B1 & B6
Requiem pour un vampire [1971]: A4, A8 and B2
La vampire nue [1970]: A7 & B5
Les femme vampires [1968]: A5, B3 & B9.
